1 THE BOOK OF THE COURTIER BY COUNT BALDESAR CASTIGLIONE () TRANSLATED FROM THE ITALIAN BY LEONARD ECKSTEIN OPDYCKE. An insider’s view of court life and culture during the Renaissance, ‘The Book of the Courtier’ is the handiwork of a diplomat who was called upon to resolve the. LibraryThing Review. User Review – asukamaxwell – LibraryThing. This ” entertaining comedy of manners” might read like it’s entirely fiction, but in fact took place.

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I had not realised that women are given so little space in the actual disquisition. Eloquence and avoiding affectation.

The Book of the Courtier

Gaspar is shown to be closed-off and extremely prejudiced on the subject, and hi I don’t get why anyone would dislike this. It is the work of a sensitive and intelligent man. The first section discusses the qualities of the ideal courtier, and focuses on accomplishments such as dancing, fencing, etc.

Jan 20, A. There was a problem filtering reviews right now.

The Book of the Courtier – Baldassare Castiglione – Google Books

George Bull was an author and journlaist who translated six books for the Penguin Classics, including The Prince by Machiavelli. I don’t get why baldassae would dislike this. Goodreads is the world’s largest site for readers with over 50 million reviews. What would the perfect courtier a person who serves at court look like? Amazon Music Stream millions of songs.

Get to Know Us. The courtier must be physically courtjer emotionally fit. The Book of the Courtier by Baldassare Castiglione. Penn State University Press. The book takes the form of a dialogue set at the court of Urbino in or and carried out over the course of four consecutive evenings; thus it consists of four books, each with its own focus and principal speakers.


To really follow the argument is tough going. The Book of the Courtier addresses the constitution of a perfect courtierand in its last installment, a perfect lady. It’s intelligent, funny, and even beautiful at times. View all 4 comments.

The occasions when the professional the courtier will make use of these principles are always very specific. The courtier must gently influence his liege in order to keep the monarch from self-indulgence, arrogance and misrule, all errors that flow from the conniving flattery of other courtiers. Top Reviews Most recent Top Reviews. This chapter offers a window into the range of views about women at that time and also into the czstiglione between aristocratic men and women.

But the conversation goes on forever and ever. I’m glad I read this and I recommend to any catiglione adult on their way up. In the book, the courtier is described castihlione having a cool mind, a good voice with beautiful, elegant and brave words along with proper bearing and gestures. This first came out inand for castiglionr of us who can’t read it in the original, there are various translations.

This expresses the Renaissance ideal of perfect duality: Chronicles of the Crusades Geoffroi De Villehardouin. It also forms a direct line of influence to the French honnete. On the fourth night, the Duchess calls upon two of her courtiers to present their views on topics which will lead the discussion in a more philosophical direction.

Moreover, it sets before us the ideals of the Renaissance; and in this way it corrects and complements the picture of how Renaissance men did behave — as drawn, say, by Cellini — with an account of the moral and aesthetic standards to which many of them at least aspired. Castiglione’s book was published, after many years of careful revision, incastiglionr four years before Machiavelli’s The Prince, a work that is completely opposite in mood and tone.


This leads to many debates about courtly and corporeal love, with extensive debate about whether a woman should be allowed as much righ The first section discusses the qualities of the ideal courtier, and focuses on accomplishments such as dancing, fencing, etc.

Especially in the third book they seem so dainty and polite it is hard to picture them even yielding a sword. All of these are explained through clever dialogue that invokes a sense of the 15th century and coutrier appreciation of the classics.

On the surface Castiglione seems to present a virtue ethic, but only in an exhortatory sense that is, he recommends that a prince should have an education in virtuenot in a philosophically developed way. At one extreme an instruction manual for a vanished profession, on the other extreme, coutier window into a baldassre world of glitter and intrigue – and a philosophy of living that survives beyond mere history.

Court scene by Andrea Mantegna, Quotes from The Book of the C I was actually surprised when I was reading this, of how deep Castiglione was.

Ever-relevant subjects include the decision-making process, maintaining an ethical stance, and the best ways of interacting with authority figures.

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