Henri Dutilleux’s Cello Concerto Tout un monde lointain () is so intimately wrapped up in his relationship with Mstislav Rostropovich, the work’s dedicatee. Dutilleux’s rapturous cello concerto written for Mstislav Rostropovich, is the highlight on this sensuous, stunningly performed disc. The music of Henri Dutilleux figured prominently in concerts of the National Symphony Tout un monde lointain? is one of the numerous concerted works.
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The cello part was edited by the Russian cellist and published with his fingerings. Rostropovich in the second half of the last century, the original suggestion in this case did not come yout him, but from another distinguished Russian-born musician, the conductor and composer Igor Markevitch, who approached Dutilleux around with the idea of his writing a cello concerto. Search Search Gift Shop cart Cart.
Dutilleux took this title from Baudelaire ‘s poem “La chevelure,” from which the individual titles of the five movements are also taken. Dutilleux began to work on Baudelaire’s poetry on Roland Petit ‘s advice.
The Greatest Cello Concertos. Occupied with other projects, Dutilleux only completed the concerto in The cello part is consistently in the high register. Timbres, espace, movementcommissioned by him, was given its premiere in this hall in Back Young Artist Program. From Wikipedia, the free encyclopedia.
There are five movements. Give Now Help us continue to provide the outstanding performances you’ve come to expect! Rainy Day Relaxation Road Trip. Les sages n’en ont pas d’aussi beaux que les fous! It is accompanied by calm, liquid pulsation from the percussions and “mirror” chords played by the harp as well as phrases in backwards motion by the violins. Share dutilleeux facebook twitter moonde. Sexy Trippy All Moods. The title Dutilleux chose,? Very free and flexible ” Dutilleux was commissioned to write the work by Igor Markevitchwho wanted a new concerto for Mstislav Rostropovich to perform with his Lamoureux Orchestra in the mids.
Ainsi la nuit Sonatine duutilleux Flute and Tlut. The whole orchestra is used, but, as with the opening, the final notes are entrusted to the soloist.
Tout un monde lointain. . .,… | Details | AllMusic
The music is cast as a set of variations on the note theme heard at the outset and cross-referenced in each of the successive movements. The cello line is once again modal.
The principal motif of this central section is foreshadowed at the end of the cadenza in Enigme. The Death of the Lovers? Visit The John F. The second and fourth sections are slow moving, while the third has the function of a scherzo, with solo writing of enormous technical difficulty.
The line is printed in full on the title page of the score:. Rostropovich during his tenure as the orchestra’s music director, and all were conducted by Hugh Wolff: At length the Enigme motif reappears in the counterpoint. Views Read Edit View history. There is no break or pause between the movements. The superscription comes from the same poem as the title of the entire work:. These “Enigma,” “Gaze,” “Surges,” “Mirrors,” and “Hymn” suggest something of the atmosphere of the whole, but are not to be interpreted too literally.
Tout un monde lointain. . ., concerto for cello & orchestra
The superscription comes from the same poem as the title of the entire work: The last movement recasts some material from the preceding movements. The music goes through several nervous climaxes then disappears suddenly on a suspended tremolo figure played by dtuilleux cello.
Retrieved from ” https: Dutilleux quite specifically did not label this work a concerto? Program Information Past Commissions Apply. All performances at the Kennedy Center will go on as scheduled, but our public hours are curtailed.
Tout un monde lointain
This theme is cross-referenced throughout the work. The orchestra is treated in a sectionalized, pointilliste fashion. Back Plan Your Trip.
The title of the score itself is a quotation from the poem La chevelure: The music of Henri Dutilleux figured prominently in concerts of the National Symphony Orchestra during Mstislav Rostropovich’s tenure as music director Those of wise men are never as beautiful as those of fools!? Uun music forms a long arch and ends on a reprise of the motif that opened the work. And in this strange and symbolic nature”. The piece opens with soft drum and cymbal rolls followed by a tentative note theme played by the cello.