Arthur Kampela is on Facebook. Join Facebook to connect with Arthur Kampela and others you may know. Facebook gives people the power to share and. Arthur Kampela (born in Rio de Janeiro, Brazil – now also an American Citizen), is the winner of the Guggenheim prize in Music Composition, the Arthur Kampela is the winner of the Guggenheim Prize in Music Composition. From he was a DAAD (Berliner Künstlerprogramm) Fellow . He has.
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My piece, Exoskeleton for solo viola, proposes to reinvent the way a traditional instrument, a viola, ought to be played.
For me, this music is about questioning the nature of listening—it renews interest in self-evident sounds like water rushing by having us listen to them through a musical perspective.
Rhythmically, he was far beyond anyone writing at the time, including Stravinsky and Schoenberg. The complex rhythmic structure used in this and other pieces of mine is an important tool providing not only compositional substance, but filtering the effects and allowing them to surface at very precise points.
Structurally he was very conservative, almost a classicist. It accumulates coexisting sonic vocabularies that we then order in a certain way according to the limits of our perception. A Brazilian Harry Partch, his aesthetic philosophy was focused on the idea of rupture with Western aesthetics. It reduces language to its sounds; it tries to speak, narrate, and can finally only asphyxiate itself. Celebrate the vitality and breadth of NYC music-making with this sampling of tracks on our platform.
Akmpela considerations are at the forefront of compositional speculation.
Subscribe to keep reading You’ve read both of your free articles for this month. Stay tuned for future email messages! He also taught composition at NYU from Sign up for our monthly NewMusicBox newsletter. In Brazil, composition studies with world-renowned composer and theorist Hans-Joachim Koellreutteur This friction is what makes his work so enticing and enduring.
Again, working with a palette of percussive sounds, noises and pitch oriented material pitch is not precisely indicated in the piece, only rhythmI managed to accomplish a true deconstruction of the expected sonic qualities inherent in the viola. Kampela has broken new ground in two particular ways: This is your number.
Why do you use unconventional techniques? Arthur Kampela
You might also enjoy. In many of his pieces, Kampela employs new extended-techniques for acoustic instruments and Micro-Metric Modulation — a rhythmic system he devised after Carter and Cowell to bridge complex rhythmic relationships. We’re an independent magazine, we pay our writers, and our advertising will never slow you down.
Copy Link Link copied! An Arthur Kampela Playlist. First, a violist cannot play this piece. Stay tuned for future email messages!
Kampela has also published some of his theoretical ideas on Micro—Metric Modulation and on extended-techniques. Smetak is one artist featured in this playlist of radical, searching music by Kampela, himself a Brazilian composer and guitarist currently living in New York. A scream, a click-tongue, a hum, the tapping of the feet, etc. Celebrate the vitality and breadth of NYC music-making with this sampling of tracks on our platform. If you already have a subscription, click here to log in.
The point here is to make sure that the flow of materials of diverse textural qualities or weights are to be presented always as something new.
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kampla In my Percussion Studies for solo guitar, I attempted to create a set of pieces or movements that have in common an unusual playing technique called the Tapping Technique. Arthur Kampela Motoric considerations are at the forefront of compositional speculation. The re-channeling of energy spent in performing can acquire the status of structural cell if we view the bodily reaction to the music being played as a complementary detail.
You can save tracks you wish to hear again by adding them to your personal playlist, both here and as you move through the site. In he received private lessons from the British composer Brian Kamepla. Want to share your playlist? I always deeply mistrust a complete anything.
Artyur why do we we express ourselves? Want to share your playlist?
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You can save tracks you wish to hear again by adding them to your personal playlist, both here and as you move through the site. Therefore, on top of the playing speed, the compositional newness and integrity of the piece and the instrument is maintained since the viola is submitted to complex technical demands where ergonomic considerations play a fundamental role. The name Exoskeleton meaning: Check out these playlists: Second, working with new extended-techniques for acoustic instruments.