Read the original and often misinterpreted text where Henri Cartier-Bresson explained his idea of decisive moment. Il libro più famoso di Cartier-Bresson è The Decisive Moment (Il momento decisivo). Il titolo nella versione francese è Images à la sauvette. Scritto nel , oltre. Within the canon of European photography books it would be difficult to find one more famous, revered and influential as Henri Cartier-Bresson’s The Decisive.

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To me, photography is the simultaneous recognition, in a fraction of cartirr second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression. In a photograph, composition is the result of a simultaneous coalition, the organic coordination of elements seen by the eye. Istruiti dalla dottrina di Cartier-Bresson o meno, alcuni dei nostri amici lomografi hanno fatto dei tentativi per catturare scatti perfettamente a tempo riscontrando successo:.

Visit the West Licht Gallery in Vienna defisivo this once in a lifetime display of best women photographers who shaped the social documentary genre. The book was published by Teriadethe French publisher of deluxe art books and such magazines as Verve. But he composes a picture in very nearly the same amount of time it li to click the shutter, at the speed of a reflex action. He can modify perspectives by a slight bending of the knees. The Suture That Binds Us.

Who knew adult field trips could be this fun and colorful? Every picture which he has taken is a very personal record of something which is already taking place.


Condividile con noi e lascia un commento qui in basso! The American edition was made possible by the enthusiasm of Richard Simon of the publishing firm of Simon and Schuster. Hai altre foto scattate al momento giusto?

Nothing could be farther from the truth. Garry Winogrand, Public Eye Peeling Back Soft Tissue: Gestapo Informer, Dessau, Germany, Photography must seize upon this moment and dedisivo immobile the equilibrium of it.

He talks to us about his Lomography camera collection and his camera of choice, the BelAir X Her photographs will take you to a purple and turquoise world. Non devi essere troppo veloce.

Composition must have its own inevitability about it. Hailing from Indonesia, Lomo Cult is a self-confessed Lomography fanboy and one of our community’s most active members.

Cartier-Bresson trained himself from the start to compose his pictures so exactly that not one of the plates in this book have been trimmed. Please login to like. Discover evadanah22’s colorful work! Like us on Facebookfollow us on Twitter and Instagram.

America In Passing • Henri Cartier-Bresson • Magnum Photos

We work in unison with movement as though it were a presentiment on the way in which life itself unfolds. A photographer can bring coincidence of line simply by moving his head a fraction of a millimeter. We look and perceive a photograph as we do a painting, in its entirety and all in one glance. Select Plan Select Plan. He is the silent and alert witness of the passing scene.

Sally Mann – “Sally Mann”. By placing the camera closer to or farther from the subject, he draws a detail — and it can be subordinated, or it can be tyrannized by it.


He carries a camera with him constantly. A Conversation with Andrew Bush: Alicante, Spain, Cartier-Bresson outlines his approach nresson photography in a short introduction. But what one thing? No Likes No likes yet. He never uses flash, and when he is working, even the subject is usually unaware of his presence. Istruiti dalla dottrina di Cartier-Bresson o meno, alcuni dei nostri amici lomografi hanno fatto dei tentativi per catturare scatti perfettamente a tempo riscontrando successo: Unlike the writer, he cannot change: He has no studio, does not employ models, does not even direct those he photographs.

Please login to leave a comment. Interview With Infinity Land Press. Caspar Sejerson on Lars Von Trier. Fewer settings, more fun. No funny business, just a whole heap of Lomography love right to your inbox.

But inside movement there is one moment at which the elements in motion are in balance.

America In Passing

In photography there is a new kind of plasticity, the product of instantaneous lines made by movements of the subject. Any photograph, if it is lasting, must have been taken at the decisive moment. Cartier-Bresson outlines his approach to mojento in a short introduction.

You follow his progress through the viewfinder.

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