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Cyprian, Letter to Donatus Letter 1, n. Despite the fact that they are short and easy, they should manifest a religious sanctihatem and seriousness. This school should serve as an example to others and influence them to carefully develop and perfect sacred chant.
Although over the course of the centuries genuine polyphonic art gradually declined and profane melodies often crept into it, during recent decades the indefatigable labors of experts have brought sivini a restoration. Likewise We know that simpler but genuinely artistic polyphonic compositions rivini often sung even in smaller churches.
For as all of these display in their liturgical ceremonies and formulas of prayer the marvelous abundance of the Church, they also, in their various liturgical chants, preserve treasures which clutus be guarded and defended to prevent not only their complete disappearance, but also any partial loss or distortion.
Thus this dictum either has no worth at all or is gravely offensive to God Himself, the Creator and Ultimate End. Moreover, new forms of sacred chant were gradually created and new types of songs were invented.
Divini cultus sanctitatem: Uma apologia do canto dos próprios
Search the history of over billion web pages on the internet. Certainly no one will be astonished that the Church is so vigilant and careful about sacred music.
Pius X rightly decreed in the document which he accurately called the “legal code of sacred music may be confirmed and inculcated anew, shown in a new light and strengthened by new proofs. Where, according to old or immemorial custom, some popular hymns are sung in the language of the people after the sacred words of the liturgy have been sung in Latin during the solemn Eucharistic sacrifice, local Ordinaries can allow this to be done “if, in the light of the circumstances of the locality and the people, they believe that custom cannot prudently be removed.
We do not want these exceptions extended or propagated more widely, nor do We wish to have them transferred to other places without due permission of the Holy See. Hence the preachers of the Gospel in pagan lands should sedulously and willingly promote in the course of their apostolic ministry the love for religious song which is cherished by the men entrusted to their care.
He writes that apostates from the Faith said that “this was their greatest fault or error, that they were accustomed to gather before dawn on a certain day and sing a hymn to Christ as if He were God. In this journey, although sometimes slowly and laboriously, it has gradually progressed from the simple and ingenuous Gregorian modes to great and magnificent works of art. And if in Catholic churches throughout the entire world Gregorian chant sounds forth without corruption or diminution, the chant itself, like the sacred Roman liturgy, will have a characteristic of universality, so that the faithful, wherever they may be, will hear music that is familiar to them and a part of their own home.
Help and promote such associations, venerable brethren, so that they may lead an active life, may employ the best and the most effective teachers, and so that, throughout the entire diocese, they may diligently promote the knowledge, love and use of sacred music and religious harmonies, with due observance of the Church’s laws and due obedience to Ourselves. It adds a wonderful splendor and a special magnificence to the ceremonies of the Church.
The Gregorian chant which has been used in the Church over the course of so many centuries, and which may be called, as it were, its patrimony, is gloriously outstanding for this holiness.
It is easy to infer from what has just been said that the dignity and force of sacred music are greater the closer sacred music itself approaches to the supreme act of Christian worship, the Eucharistic sacrifice of the altar. The choral chant began to be called “Gregorian” after St.
Later, when the ark of God was taken from the house of Abinadab to the city of David, the king himself and “all Israel played before the Lord on all manner of instruments made of wood, on harps and lutes and timbrels and cornets and cymbals.
Download c in depth or read c in depth online books in pdf, epub and mobi format. Hence We can do no less than urge you, venerable brethren, to foster and promote diligently popular religious singing of this kind in the dioceses entrusted to you.
Pius XI, apostolic constitution. Since, as We have just shown, the dignity and effectiveness of sacred music and religious chant are so great, it is very necessary that all of their parts should be diligently and carefully arranged to produce their salutary results in a fitting manner. Where it is impossible to have schools of singers or where there are not enough choir boys, it is allowed that “a group of men and women or girls, located in a place outside the sanctuary set apart for the exclusive use of this group, can sing the liturgical texts at Solemn Mass, as long as the men are completely separated from the women and girls and everything unbecoming is avoided.
May it produce even outside the walls of churches – in Christian families and gatherings of Christians – what St. Hence the Church must take the greatest care to prevent whatever might be unbecoming to sacred worship or anything that might distract the faithful in attendance from lifting their minds up to God from entering into sacred music, which is the servant, as it were, of the sacred liturgy. In mission lands it will not be possible to accomplish all these things until the number of Christians has grown sufficiently, larger church buildings have been erected, the children of Christians properly attend schools established by the Church and, finally, until there is an adequate number of sacred ministers.
Pius X, who is rightly called the renewer of Gregorian chant,  and Pius XI  have wisely ordained and taught, We also, in view of the outstanding qualities which genuine Gregorian chant possesses, will and prescribe that this be done. The subject of sacred music has always been very close to Our heart.
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They should likewise show in their conduct and their lives the dignity of their calling. We must also hold in honor that music which is not primarily a part of the sacred liturgy, but which by its power and purpose greatly aids religion. Pious associations of this kind, which have been founded to instruct the people in sacred music or for advanced study in this subject, can contribute greatly by words and example to the advance of sacred music.
Tertullian, De animach. It must not allow within itself anything that savors of the profane nor allow any such thing to slip into the melodies in which it is expressed. Blue welcome to the zoo bloom 06 zippy blue welcome to the zoo bloom 06 zippymore tracks of bloom 06 in your eyes. No one, therefore, will be astonished that always and everywhere, even among pagan peoples, sacred song and the art of music have been used to ornament and decorate religious ceremonies.
It is not a case of drawing up laws of aesthetics or technical rules that apply to the subject of music. We hope that the noble art of sacred music – adapted to contemporary conditions and in some way enriched – may ever more perfectly accomplish its mission. This may be done more easily and readily in this age of ours than was possible in times past, because translations of the liturgical texts into the vernacular tongues and explanations of these texts in books and pamphlets are available.
These last serve to prepare a worthy setting for the sacred ceremonies. Music of the early christian church download as word doc. The progress of this musical art clearly shows how sincerely the Church has desired to render divine worship ever more splendid and more pleasing to the Christian people. Hence it has seemed appropriate to us in this encyclical letter to give an orderly explanation of the topic and also to answer somewhat more completely several questions which have been raised and discussed during the past decades.
Nevertheless it can rightly be said that Our predecessor of immortal memory, St. Hence what Our predecessors, St. And if your memory by good and your voice pleasant, approach this work according to custom. So that the desired effect may be produced by what We have recommended and ordered in this encyclical, following in the footsteps of Our predecessors, you, venerable brethren, must carefully use all the aids offered by the lofty function entrusted to you by Christ the Lord and committed to you by the Church.
Paul showed us clearly that sacred chant was used and held in honor from the very beginning in the Church founded by the Divine Redeemer when he wrote to the Ephesians: