It would be something of an understatement to say that the music of pianist Dom Salvador served as a formative influence for drummer Duduka. The percussion colourist, Duduka Da Fonseca once graced the drum chair of Dom Salvador’s album, simply entitled Transition or was it so. Duduka Da Fonseca was born in Rio de Janeiro, Brazil and began playing the drums at the age of thirteen. At fifteen, he was appearing on television, and also.

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Get Jazz Near You A weekly events guide. My way to learn was playing along with the vinyl records of the Brazilian musicians and American Jazz masters. In the early 70s while living in Rio, I began to develop fonscea way of playing Samba in a trio setting with Cesarius Alvim piano and Ricardo Santos bass.

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Duduka Da Fonseca

This is not to imply that the band or 30 denies history. Plays Toninho Horta Zoho Music buy. Review our musician toolkit page. Jazz Story I love jazz because it gives me freedom of mind.


Quizamba – Duduka Da Fonseca

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Our new album was made in Rio de Janeiro where the sounds of our music originally took root at “Beco das Garrafas”, Rio’s 52nd Street. Jazz Near You Partners. My Content Membership has its privileges!

Duduka Da Fonseca: Duduka Da Fonseca Trio Plays Dom Salvador

New York Beat Jazz at Kitano: That was just one year before Trio da Paz’s own recording debut, Brasil from the Inside. Sign in or sign up to upload your MP3 for “Download of the Day” consideration.

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But I believe that in Samba or Bossa Nova one can also choose to use the bass drum much more freely, without the obligation of playing the traditional ostinato pattern the whole time, using the bass drum to play syncopated accents as an accompanying voice.

Sunnyside Records: Artists: Duduka Da Fonseca

Sign in or sign up to create or claim your musician profile page. Why do I think that way? Samba Jazz was not fonsecs the map at that time. Cerra – copyright protected; all rights reserved. Jive Samba Zoho Music buy. If you’re familiar with All About Jazzyou know that we’ve dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. They come from the hearts, souls and feelings that dudka have as individuals and as a group.

Howard Mandel on Duduka. As friends, Duduka, Romero and Nilson are utterly secure in their enduring triangle, and as musicians they tap well-established elements of bedrock Brasilian samba and bossa nova — the music of Jobim, Gilberto and Bonfa — as well as bebop and its developments, Wes Montgomery, third stream and even free improvisation for ingredients of their signature sound.

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