Words. Tristis est anima mea usque ad mortem: sustinete hic, et vigilate mecum: nunc videbitis turbam, quae circumdabit me. Vos fugam capietis, et ego vadam. Memorial Motet. Composed. Composed by Johann Kuhnau Based on his Latin motet Tristis est anima mea. Included, alongside movements by. Scoring. Coro SSATB, Bc. Language. Latin. Duration. 3 min. Degree of difficulty. 1 2 3 4 5. Key. f-Moll. Scripture. Mt 26, A look inside. View. sheet music.

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Magid El-Bushra ; Tenor: Rudolf Mauersberger und de Dresdenr Kreuzchor [P-2]. Bach modified some of the passages in the music, and wrote obbligato instrumental accompaniment to reinforce the text. Motet Tristis est anima mea [].

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In the fourth prediction “Et ego vadam” And I will go, measure 85Jesus speaks of himself, and the composer expresses it by the voices entering one after another, but with exactly the same motif, in the first four voices even from the same pitch tenor, bass, soprano II, alto. Johann Kuhnau zugeschriebenen Motette Tristis est anima mea ” “[of the] motet Tristis est anima mea maybe erroneously?

Latin Text German 5 Translations: Philipp Spitta ‘s 19th century biography of the latter contains the following: Recorded at Lukaskirche, DresdenSaxony, Germany. Motet Tristis est anima mea [6: Retrieved 10 March Matthias Hansen MayFrits V.


His five-part motett for Holy Thursday, Tristis est anima mea usque ad mortemmay be reckoned among the more prominent works of the kind; if it is not of equal merit with the motetts of Joh. Bach and the German Motet.

Paula Waisman, Matthieu Camilleri; Violins 2: More recently the attribution to Kuhnau has been doubted. Buy this album at:.

Bach Fest Tokio [V] J. Jauchzet dem Herrn alle Welt [C-1]. On stylistic grounds scholars such as Diethard Hellmann see chorus No.

Kuhnau J – Tristis est anima mea

Bach, is not securely attributable to Kuhnau. Recorded at Stiftskirche Kaufungen, Germany. Retrieved 1 April However, it shows the works of a skillful and highly imaginative composer with considerable dramatic flair. Eterna Berlin Classics Berlin Classics After a short rest, the second line of the text is presented in similar building, this time in the sequence from inside out: Kuhnau’s ideas were however more easily adopted by his successor: The theme of that text is Jesus in the garden Gethsemaneaddressing his anija.

Kuhnau J – Tristis est anima mea | The Choir of St John’s College, Cambridge

The harmonies are intensified, resolved in measure Recorded at Gewandhaus, Leipzig, Germany. After a leap down of a minor sixtheven steps lead upwards.


Rudolf Mauersberger ; Musical Assistant: Reimar Bluth; Sound Control: Tristis est anima mea was published by the Carus-Verlag in a version with basso continuo. Recordings Recordings – Latin Motet Tristis est anima mea. Tristis est anima mea was frequently recorded, including by the Dresdner Kreuzchor conducted by Rudolf Mauersberger inand by the Windsbacher Knabenchor conducted by Hans Thamm in Bach Fest Tokio [V].

Buy this album at: Thomas de Pierrefeu; Organ, Harpsichord: The text is the second responsory at Tenebrae for Maundy Thursday kuhnzu, one of the Latin texts kept in the liturgy after the town converted to Lutheranism. English-3 Hungarian-2 Italian-2 Scoring Soloists: The motet is set to the Latin text of the second Tenebrae responsory for Maundy Thursday.

Views Read Edit View history. Harsh judgements have been passed on the quality of Kuhnau’s music: Only then comes the complete first line, expressed in polyphony until measure 20, ending with “ad mortem” unto deathwhich the bass sings in a chromatic downward line of long notes.

Jauchzet dem Herrn, alle Welt: Tristis est anima mea [8:

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